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Upcoming events

    • 05 Jun 2019
    • 10 Jul 2019
    • 6 sessions
    • Literacenter, 651 W. Lake St.
    • 5
    Registration is closed

    The Rewrite 

    Instructor: Douglas Post - Founding Member of the Victory Gardens Playwrights Ensemble 

    In this course, you will learn the best practices of rewriting.  Your work will be read aloud and discussed by the instructor and the other participants in a format that is supportive and focused.  You will also be given weekly reading assignments that will help you understand how working playwrights have moved their texts forward and made their careers possible.

    Prerequisites: Writing the Full-Length 2, prior playwriting coursework resulting in a full-length play or permission of the instructor.

    NOTE: Writers should bring 11 copies of a scene that is no more than 10 pages in length from your play to the first session.

    Sessions/Weekday 6 Wednesdays
    Start/End Date Jun 5 - Jul 10  (6 sessions) 
    Time Slot 6:30pm - 9:30pm
    Notes

    About the Tier 2 Advanced Track

    Comprising the Writers Studio’s advanced sequence, students will develop complex characters through actions and consequences, use dramatic language to enhance the world of the play, differentiate between plot and story and how to apply them through the use of time, employ the use of image as a dramatic tool to enrich conflict, and devise dynamic worlds on stage that involve components beyond dialog such as sound, music, movement, media, dance plus other components. 

    • 08 Jun 2019
    • 13 Jul 2019
    • 6 sessions
    • Literacenter, 651 W. Lake St.
    • 5
    Registration is closed

    Developing the Full-length 1 

    Instructor: Douglas Post - Founding Member of the Victory Gardens Playwrights Ensemble 

    Kicking off Tier 2 advanced coursework, you will build on your fundamental skills to start writing a full-length play.  Your work will be read aloud and discussed by the instructor and the other participants in a format that is supportive and focused.  You will also be given weekly reading and writing assignments that will further your understanding of character, time, place, language, text and subtext.

    Prerequisites: Essentials 3, prior playwriting coursework resulting in a full-length play or permission of the Instructor

    NOTE: Writers should bring 11 copies of a scene that is no more than 10 pages in length from your play to the first session.

    Sessions/Weekday 6 Saturdays
    Start/End Date Jun 8 - Jul 13  (6 sessions) 
    Time Slot 1:30pm - 4:30pm
    Notes

    About the Tier 2 Advanced Track

    Comprising the Writers Studio’s advanced sequence, students will develop complex characters through actions and consequences, use dramatic language to enhance the world of the play, differentiate between plot and story and how to apply them through the use of time, employ the use of image as a dramatic tool to enrich conflict, and devise dynamic worlds on stage that involve components beyond dialog such as sound, music, movement, media, dance plus other components. 

    • 12 Jun 2019
    • 17 Jul 2019
    • 6 sessions
    • Literacenter, 651 W. Lake St.
    • 5
    Register

    Acting for Writers 
    Instructor: Playwright & Actor John S. Green

    As a writer, have you ever wondered what it is like to step inside an actor’s shoes? Want to know how actors bring a character to life, speaking your words as a character’s? In this  course, you will access an actor’s toolbox to break a scene down into beats and action verbs, make use of subtext beneath the surface of words, embody the writing with the active needs of the characters.  You will also create dramatic scenes for specific actors, learn how to communicate effectively with actors and directors in terms they understand, explore what does and does not work once a scene is on its feet, and how to translate a character from page to stage. 


    Sessions/Weekday 6 Wednesdays
    Start/End Date Jun 12 - Jul 17  (6 sessions) 
    Time Slot 6:30pm - 9:30pm
    Notes This is an all Tier special topic.

    About Special Topics Courses

    Special Topics coursework is designed to focus on and often expand upon important topics presented in the Tiered tracks. Various formats are offered, from  the 2-day bootcamps where you will get a concentrated introduction or taste of other workshops, to intensives that take you through 3-4 days of targeted exercises, or the 6-7 week classes that deep-dive into important skill-building for progression of work.

    • 17 Jun 2019
    • 12 Aug 2019
    • 9 sessions
    • Chicago Dramatists
    • 2
    Register

    Live Storytelling Workshop
    with Instructor Janna Sobel 

    Live Storytelling is a trendy new form of spoken-word performance, occurring in theaters, bars, house events and all over public radio. But it is also the oldest form of performance there is. Storytelling belongs to all of us, and it lives in our DNA. This class helps you remember how to do it brilliantly. The 9-week workshop empowers writers, stand-up comedians, leaders, public speakers - everyone! - to tell compelling, entertaining personal stories. We use the 5-10 minute format of popular live storytelling events, and give you tools to bring your truth and presence to the stage with confidence, skill, and joy. 

    In a dynamic, supportive environment, you will learn to:

    • apply narrative structure to personal stories
    • use dramatic elements to heighten tension and raise stakes
    • use sensory and descriptive detail to bring listeners into a moment
    • theatricalize stories with character, humor and staging
    • hone your unique voice
    • be emotionally honest
    • tell the (sometimes challenging, always important!) truth
    • interact beautifully with an audience
    • honor time limits, and accomplish what you want within any venue's parameters
    • start and end strong

      Classes consist of playful games and exercises that are skill-building and generative, followed by inquiry and discussion. Students will also perform and receive feedback each week. Each student will craft and revise three different stories over the course of the term. Through the process of revision, students hone their work and witness the unique perspective that each teller brings to the stage. The class will culminate with a Chicago-style Live Storytelling event!

      Prerequisite: None

      For more information on Janna, please click here.

      Sessions/Weekday 9 Mondays
      Start/End Date 6/17-8/12
      Time Slot 6:30pm-9:30pm
      Notes
      • 18 Jun 2019
      • 23 Jul 2019
      • 6 sessions
      • Online
      • 8

      Playwriting Essentials 2 ONLINE 
      Instructor:
       Playwright Cassandra Rose

      In the second of the Essentials series, you will delve deeper into the components of dramatic structure, evaluate conflict, identify theatricality,  and articulate how you use plasticity of the stage within format—applying it all by writing a new 10-minute play each week to share with your peers in class.

      Note: Either Essentials 1 or Essentials Weekend Bootcamp must be taken as prerequisites for the other Essentials courses—Essentials 2  and Essentials 3. 

      Where: On-line using Zoom or Google Hangouts. You will receive instructions on how to access the meeting site prior to class. You must have a solid internet connection along with a computer with working speakers so you can hear and a microphone so that the class and instructor can hear you.  A working camera is a bonus, but not 100% necessary. Pdfs will be shared via email or GoogleDocs prior to class, and some scenes will be read during class. You are expected to access class from a quiet place with limited interruptions and distractions. The instructor will contact you in the week before the class to do a "tech check" and make sure everyone can connect.

      Sessions/Weekday 6 Tuesdays
      Start/End Date Jun 18 - Jul 23  (6 sessions) 
      Time Slot 6:30pm - 9:30pm
      Notes

      About the Tier 1 Essentials Track


      Comprising the Writers Studio’s Essentials 1 through 3 fundamentals sequence, students will explore their unique voice and theatricality, be able to describe and apply dramatic structure, write dialogue, stage direction, construct characters, arrange work in the correct industry format, and employ methods to give and receive feedback.

      Essentials 1 is a prerequisite for Essentials 2, which in turn is a prerequisite for Essentials 3.

      • 20 Jun 2019
      • 18 Jul 2019
      • 4 sessions
      • Online
      • 8
      Registration is closed

      Solo Show & Storytelling Development Intensive Online 
      Instructor:
      Resident Playwright MT Cozzola

      This four-session course is for playwrights, actors, and storytellers with some story experience, who want an intense period of technique training to develop a solo show or long-form narrative. Each week, you will create and present work-in-progress—doing warm-ups and exercises intended to inspire and deepen your writing—with the goal to ready you for production.

      Prerequisites: Solo Show & Storytelling Bootcamp or Fundamentals


      Where: On-line using Zoom or Google Hangouts. You will receive instructions on how to access the meeting site prior to class. You must have a solid internet connection along with a computer with working speakers so you can hear and a microphone so that the class and instructor can hear you.  A working camera is a bonus, but not 100% necessary. Pdfs will be shared via email or GoogleDocs prior to class, and some scenes will be read during class. You are expected to access class from a quiet place with limited interruptions and distractions. The instructor will contact you in the week before the class to do a "tech check" and make sure everyone can connect.

      Sessions/Weekday 4 Thursdays
      Start/End Date Jun 20 - Jul 18
      Time Slot 6:30pm-9:30pm
      Notes Prerequisite: Solo Show & Storytelling Fundamentals  (or the Bootcamp Weekend), or permission of instructor. Does not meet  7/4.

      About the Solo Show & Storytelling Track

      The Solo Show track is designed to provide writers with a solid foundation for developing and performing solo shows and long-form narratives. The courses include:

      • Solo & Storytelling Bootcamp
      • Solo & Storytelling Fundamentals
      • Solo & Storytelling Intensive
      • Marketing and Producing Your Solo Show
      • Solo & Storytelling Workshop: From Page to Stage
      • Live Storytelling
      • 23 Jun 2019
      • 28 Jul 2019
      • 6 sessions
      • Literacenter, 651 W. Lake St.
      • 1
      Register

      Lyric Lab
      nstructor: Dramatists Guild Chicago Regional Representative Cheryl Coons

      This lyric writing lab offers participants a solid grounding in the craft of lyric writing for musical theatre and cabaret, and stimulating prompts for generating new song ideas. Participants will gain tools for analyzing lyrics, developing ideas effectively through a song and score, and structuring theatre songs lyrically and musically for maximum impact. Participants will present their own lyrics for group discussion and constructive feedback in a supportive atmosphere.

      Prerequisite: None

      Sessions/Weekday 6 Sundays
      Start/End Date Jun 23 - Jul 28
      Timeslot 1:30pm - 4:30pm
      Notes


      About the Musicals Track

      The Musicals track is designed to provide playwrights with a solid foundation for writing musical theatre. It consists of four courses:

      • Musical Theatre Writing: The Secret Life of the American Musical
      • Musicals in Process
      • Musical Theatre Bootcamp
      • Lyric Lab

      Musical Theatre Writing is a prerequisite for Musicals in Process. Musical Theatre Bootcamp and Lyric Lab may be taken out of sequence with the other two courses.

      • 25 Jun 2019
      • 7:00 PM - 9:00 PM
      • Chicago Dramatists, Theatre

      A Play by Doug Van Hooser

      Moderator: Arlene Malinowski

      Synopsis: coming soon

      About the First Draft Series

      The First Draft Series is an exclusive series of Tuesday-night play readings for and by First Draft Member playwrights. These are private, salon-style readings in which playwrights perform the roles and then discuss the plays in a format similar to that used in the Monday Night Series. The discussions are moderated by a Resident Playwright or member of the artistic staff.

      Become a First Draft Member today!


      • 27 Jun 2019
      • 22 Aug 2019
      • 7 sessions
      • Chicago Dramatists, Window Room
      • 0
      Join waitlist
      "Scene Shop" Play Development Thursday Evenings 

      Instructor: Resident Playwright Will Dunne

      SOLD OUT! GET ON THE WAIT LIST!

      Now in its 12th year at Chicago Dramatists and led by Resident Playwright Will Dunne, author of The Dramatic Writer's Companion and other books, Scene Shop is an ongoing professional resource for experienced writers. Self-contained weekly sessions offer character, scene, and story exercises to help you write and revise your script, professional actors to read the work you bring from home, and constructive group feedback in a supportive setting. And, if you ever need to miss a session, you can always make it up in the other Scene Shop section that week. Workshop members are eligible to participate in the Scene Shop Showcase, a night of staged readings presented twice yearly in the Russ Tutterow Theatre. 

      Prerequisites: The writer has completed at least one play or screenplay.

      Sessions/Weekday 7 Thursdays
      Start/End Date Jun 27 - Aug 22
      Time Slot 6:30pm - 9:30pm
      Notes Does not meet 7/4 or 8/1

      About the Tier 2 Advanced Track

      Comprising the Writers Studio’s advanced sequence, students will develop complex characters through actions and consequences, use dramatic language to enhance the world of the play, differentiate between plot and story and how to apply them through the use of time, employ the use of image as a dramatic tool to enrich conflict, and devise dynamic worlds on stage that involve components beyond dialog such as sound, music, movement, media, dance plus other components. 

      • 29 Jun 2019
      • 24 Aug 2019
      • 7 sessions
      • Literacenter, 651 W Lake
      • 0
      Join waitlist
      "Scene Shop" Play Development  Saturday Mornings 

      Instructor: Resident Playwright Will Dunne

      SOLD OUT! GET ON THE WAIT LIST!

      Now in its 12th year at Chicago Dramatists and led by Resident Playwright Will Dunne, author of The Dramatic Writer's Companion and other books, Scene Shop is an ongoing professional resource for experienced writers. Self-contained weekly sessions offer character, scene, and story exercises to help you write and revise your script, professional actors to read the work you bring from home, and constructive group feedback in a supportive setting. And, if you ever need to miss a session, you can always make it up in the other Scene Shop section that week. Workshop members are eligible to participate in the Scene Shop Showcase, a night of staged readings presented twice yearly in the Russ Tutterow Theatre. 

      Prerequisites: The writer has completed at least one play or screenplay.

      Sessions/Weekday 7 Saturdays
      Start/End Date Jun 29 - Aug 24
      Time Slot 10:00am - 1:00pm
      Notes Does not meet 7/6 or 8/3

      About the Tier 2 Advanced Track

      Comprising the Writers Studio’s advanced sequence, students will develop complex characters through actions and consequences, use dramatic language to enhance the world of the play, differentiate between plot and story and how to apply them through the use of time, employ the use of image as a dramatic tool to enrich conflict, and devise dynamic worlds on stage that involve components beyond dialog such as sound, music, movement, media, dance plus other components. 

      • 29 Jun 2019
      • 2:00 PM
      • Chicago Dramatists, Theatre
      Register

      Dead Guinea Pig by Helen Valenta

      Art is a misanthrope who only loves his guinea pig, Jimmy. When Jimmy unexpectedly dies, Art is forced to do the unacceptable: reach out to others. But the only person he can think of to call is his ex. And what's he going to do when his mother shows up, expecting to see Jimmy, who she thinks of as her grandson?

      About Saturday Series Reading

      The Saturday Series, our longest-running program, lies at the heart of Chicago Dramatist’ new play development mission. Most Saturday Series events are public readings of plays-in-progress, but other events include panel discussions and fireside chats with visiting artists. 

      All plays read in the Saturday Series are directed, rehearsed and performed with minimal staging. Admission is free. We draw from Chicago's Equity and Non-Equity acting pool, as well as our long standing group of Artistic Associates, many of whom are award winning directors, actors and designers.

      The First Draft Series is an exclusive series of Tuesday-night play readings for and by First Draft Member playwrights. These are private, salon-style readings in which playwrights perform the roles and then discuss the plays in a format similar to that used in the Monday Night Series. The discussions are moderated by a Resident Playwright or member of the artistic staff.


      • 29 Jun 2019
      • 5:00 PM
      • Chicago Dramatists
      Register

      Do you have plans for Pride Saturday, June 29? 

      You can do Pride in the Park (minimum $50 but grass stains are free!), celebrate at Navy Pier with 2,000 people (nothing like celebrating with strangers), arrive early at the Back Lot Bash (everyone's there at 5 p.m., right?), OR you can join us at Chicago Dramatists for a home-spun, pot-luck, story-telling party.

      It's in the theater lobby after the Saturday reading and will begin at 5 p.m. Bring a bottle and food to share. If you can't, we've got your back. Whether its the start of your night or the end of your day, our Dramatists Pride Party is about celebrating you and our family of writers, actors and other artists. However you identify yourself, you're welcome to join us as we celebrate our beauty as individuals and artists.

      • 09 Jul 2019
      • 11:00 AM
      • 13 Jul 2019
      • 4:00 PM
      • Literacenter, 651. W Lake
      • 8
      Register

      Storytelling for Teachers 
      with Instructor Janna Sobel 


      Engage your students at a new level!

      As an educator, you know your subjects, you care about your kids, and you’ve got your lesson plans down. But are you really connecting with your students? Here is a class in building strong connections. Chicago Dramatists Storytelling for Teachers is a week-long intensive that shares the secrets professional storytellers use to inspire, unite, and connect with their listeners. It also gives you the tools needed to empower your students to tell their own true, live stories.

      In this summer immersion, you will get to experience dynamic, playful exercises that bring your own stories to life, and then learn how to use them to teach live storytelling to your students. Build new levels of enthusiasm and engagement in your school community. Act now! Space is limited to 10 participants, and intensives fill up quickly!

      Prerequisite: None

      For more information on Janna, please click here.

      Sessions/Weekday 5 days intensive
      Start/End Date Jul 9 - Jul 13
      Time Slot 11am - 4pm
      Notes
      • 20 Jul 2019
      • 21 Jul 2019
      • 2 sessions
      • Literacenter, 651 W. Lake St.
      • 9
      Register

      New Play Dramaturgy Intensive

      Instructor: Playwright Kristin Idaszak

      This course is designed for dramaturgs, playwrights, and theatre artists who want to strengthen their ability to talk about new work. During this two-day intensive, participants will examine three different approaches for talking about new plays at every stage of development, from a few pages brought into a writers group to a rehearsal-ready draft.

      New Play Dramaturgy Bootcamp will help you:

      ·      Read a new play in preparation for a rigorous dramaturgical conversation

      ·      Engage in a productive conversation that moves a play forward

      ·      Nimbly provide and receive feedback on a new work

      The class is equally geared towards all new play professionals: playwrights who want to be able to give and receive better feedback in seminars and writers groups, dramaturgs and directors who want to have more effective conversations with playwrights, and designers/actors/others who want deeper insight into the dramaturgical process. Some experience may be helpful, but this course does not assume prior knowledge. There will be a short assigned reading in between Day 1 and Day 2.

      Sessions/Weekday One Weekend
      Start/End Date 7/20-7/21 (Saturday and Sunday)
      Time Slot 10am - 2pm
      Notes

      About the Tier 2 Advanced Track


      Comprising the Writers Studio’s advanced sequence, students will develop complex characters through actions and consequences, use dramatic language to enhance the world of the play, differentiate between plot and story and how to apply them through the use of time, employ the use of image as a dramatic tool to enrich conflict, and devise dynamic worlds on stage that involve components beyond dialog such as sound, music, movement, media, dance plus other components. 

      • 20 Jul 2019
      • 10:00 AM
      • 21 Jul 2019
      • 4:30 PM
      • Literacenter, 651 W. Lake St.
      • 7
      Register

      Writing the Ten-Minute Play - A Weekend Intensive

      Instructor: Douglas Post - Founding Member of the Victory Gardens Playwrights Ensemble 

      This weekend intensive is specifically designed for writers seeking to hone their skills in writing ten-minute plays.  Contests and festivals for short works are becoming increasingly popular and are a good way for playwrights to get a foot in the door with a theatre group.  But ten-minute plays demand economy, skill and craftsmanship.  Over the course of two days, we will focus on those elements and others needed to tell our stories in a condensed form.  At the end of the session, writers will have acquired a better understanding of how to write a short play that is precise, producible, and has a solid sense of beginning, middle and end.

      Prerequisites: Essentials 1, Essentials Bootcamp or permission of the instructor.

      NOTE: Writers should bring 11 copies of a short play-in-progress that is no more than 10 pages in length to the first session.

      Sessions/Weekday One weekend
      Start/End Date 7/20-7/21 (Saturday and Sunday)
      Time Slot 10am - 4:30pm
      Notes This is an all Tier special topic

      About Special Topics Courses

      Special Topics coursework is designed to focus on and often expand upon important topics presented in the Tiered tracks. Various formats are offered, from  the 2-day bootcamps where you will get a concentrated introduction or taste of other workshops, to intensives that take you through 3-4 days of targeted exercises, or the 6-7 week classes that deep-dive into important skill-building for progression of work.

      • 23 Jul 2019
      • 9:00 AM
      • 27 Jul 2019
      • 1:00 PM
      • Literacenter, 651 W. Lake St.
      • 8
      Register

      Writing for the Small Screen Intensive 

      Instructor: Resident Playwright Mary Ruth Clarke—Original Screenwriter of Meet the Parents

      The third Golden Age of Television is upon us.  This class is for anyone who has an idea (any genre) that could make a great series and who wants to learn the crucial basics of how to write it.  

      We will study and analyze successful pilots. We will tease out/explore the inherent possibilities in your idea, where it fits in the TV landscape, how to position the idea, what makes a great TV characters, visual storytelling, budgetary considerations, proper story structure, and proper formatting. 

      You will leave the workshop with:

      ·         Where your story idea should live in the television landscape

      ·         A grasp of the show template, structure, the importance of core cast, and ongoing character revelation as opposed to character development

      ·         A better grasp of the language that writers/producers/agents speak 

      ·         The makings of a television pilot

      Sessions/Weekday 4 days 
      Start/End Date 7/23-7/27 (Tuesday-Saturday)
      Time Slot 9am - 1pm
      Notes
      • 03 Aug 2019
      • 04 Aug 2019
      • 2 sessions
      • Literacenter, 651 W. Lake St.
      • 8
      Register

      Playwriting Essentials Bootcamp
      Instructor: Resident Playwright Alumna Marsha Estell

      Want to learn the core principles of the six-week Essentials 1 but in a weekend? Designed for writers of all levels seeking a foundation for their craft, this two-day bootcamp will provide the tools of dramatic writing so you can write and respond to another’s work. A great option if you live out-of-town or just want to advance quickly to Essentials 2.         

      Prerequisite: None


      Sessions/Weekday 1 Saturday & Sunday
      Start/End Date Aug 3 - Aug 4
      Time Slot 10:00am - 4:30pm
      Notes This is a Tier 1 Special Topic

      About Special Topics Courses

      Special Topics coursework is designed to focus on and often expand upon important topics presented in the Tiered tracks. Various formats are offered, from  the 2-day bootcamps where you will get a concentrated introduction or taste of other workshops, to intensives that take you through 3-4 days of targeted exercises, or the 6-7 week classes that deep-dive into important skill-building for progression of work.

      • 03 Aug 2019
      • 7:00 PM
      • 04 Aug 2019
      • 2:00 AM
      • Chicago Dramatists, 1105 Chicago Ave
      Register


      Join  The  Magic

      Saturday, August 3, 2019

      7:00 p.m. — 11:00 p.m.


      Join us as we celebrate the imagination and passion of writers, the people who create characters on stage or screen that we either love or love to hate. Come dressed as your favorite hero or villain and receive special treats. Stay for the after party and dance the night away.


      While enjoining a magical evening, you will also be supporting Chicago Dramatists, a 40-year-old institution and an established leader in Chicago’s artistic community. 


      Main Event: Saturday, August 3, 7 p.m. to 11 p.m.

      • $110.00 per person (pre-registration required)
      • Costume party (costume optional)
      • French cocktails, beer, wine, soft drinks
      • Heavy appetizers 
      • Silent Auction
      • Free admission to the after party


      After party: Saturday, August 3, 11:00 p.m. to 2:00 a.m.

      • $35 per person (pre-registration required)
      • Costume party (costume optional)
      • Dancing
      • Beer and wine


      If you would like to be a sponsor, there are many great options: Make the magic happen!


      • 03 Aug 2019
      • 7:00 PM
      • 04 Aug 2019
      • 2:00 AM
      • Chicago Dramatists, 1105 Chicago Ave
      Register

      La nuit d’amour dramatique

      Make the magic happen!


      By sponsoring this magical evening, you are supporting Chicago Dramatists and helping build Chicago's reputation as a vibrant center for live theater.

      Select your level of sponsorship and make it a night to remember. 


      $10,000 — GRAND SPONSOR! (only one available)

      As the one and only Grand Sponsor of the event, your sponsorship includes:

      Name as marquee sponsor, 10 tickets, name listed as a sponsor on website for 12 months, name in program, announced at event, name listed as a sponsor on website for 12 months, name in program, announced at event, listed as a sponsor of eight Chicago Dramatists readings and VIP invitations to all Chicago Dramatists readings and events.


      $5,000 — OWN THE FLOOR! (only one available)

      With a $5,000 sponsorship, you become the sole sponsor of the space. You will receive name on venue welcome wall,  8 tickets, name listed as a sponsor on website for six months, name in program, announced at event, and listed as a sponsor of four Chicago Dramatists readings.


      $2,500 — BAR TAB HERO! (only one available)

      With a $2,500 sponsorship, you buy the bar and are a hero to all who attend. Sponsorship includes 6 tickets, name on bar napkins and name listed as a sponsor on our website, in our program,  recognized at event.


      $1,000 — DECK THE HOUSE! (only five available)

      Your $1,000 contribution helps pay for event scenery and program.. With it, you receive 4 tickets to the event, your name listed as a sponsor on website for 12 months and your name in program for helping create the scene.


      $500 — Fabulous Friend (unlimited)

      You will be a BFF of Chicago Dramatists with a $500 contribution. You will receive 2 tickets, your name (or a name in memory of a loved one) listed as a sponsor on website for 12 months and in the program. 


    Past events

    23 Jun 2019 Farewell Party for Alison and Linzhuo
    18 Jun 2019 A Play by Neill Shanahan (First Draft Series)
    18 Jun 2019 Screenwriting Intensive (Summer 2019)
    11 Jun 2019 A Play by Helen Valenta (First Draft Series)
    08 Jun 2019 Solo Show & Storytelling Warrior Weekend (Summer 2019)
    08 Jun 2019 Musical Theatre - A Weekend Intensive (Summer 2019)
    01 Jun 2019 Screenwriting for Playwrights Bootcamp (Summer 2019)
    01 Jun 2019 Playwriting Essentials Bootcamp (June 2019)
    01 Jun 2019 Writing the Adaptation Bootcamp (Summer 2019)
    28 May 2019 The Summer Season by Joe Weintraub (First Draft Series)
    22 May 2019 SCENE SHOP SHOWCASE (May, 2019)
    21 May 2019 Chutzpah by Ken Kaye (First Draft Series)
    13 May 2019 The Volunteer by Cassandra Rose _ MONDAY NIGHT DRAMA (Public Reading)
    08 May 2019 Essentials 2 Showcase (May, 2019)
    07 May 2019 10-minute Play Night (First Draft Series)
    06 May 2019 Live Storytelling Chicago Style Showcase (Spring, 2019)
    30 Apr 2019 Anna O. by Paul Edward Pasulka (First Draft Series)
    24 Apr 2019 Screenwriting Essentials 1 (Spring 2019)
    23 Apr 2019 "Alms for Oblivion" by Dennis Fisher (First Draft Series)
    16 Apr 2019 The Tinsel Tree by Jan Chattler (First Draft Series)
    13 Apr 2019 "Scene Shop" Play Development Saturday Mornings (Spring 2019)
    11 Apr 2019 "Scene Shop" Play Development Thursday Evenings (Spring 2019)
    09 Apr 2019 "Paragraph-5" by Blake Levinson (First Draft Series)
    03 Apr 2019 Writing the Political or Social Play (Spring 2019)
    02 Apr 2019 "Blood and Water" by Andy Mayo (First Draft Series)
    31 Mar 2019 Musical Theatre: The Secret Life of the American Musical (Spring 2019)
    30 Mar 2019 Musicals in Process Workshop (Spring 2019, Private)
    26 Mar 2019 Coal by Nina Dellaria (First Draft Series)
    24 Mar 2019 Essentials 3 (Spring 2019)
    24 Mar 2019 Essentials 2 (Spring 2019)
    24 Mar 2019 Essentials 1 (Spring 2019)
    23 Mar 2019 Connections 1 Workshop (Spring 2019)
    23 Mar 2019 It Happened One Weekend (Spring 2019)
    21 Mar 2019 The Rewrite (Spring 2019)
    19 Mar 2019 Lake Luzerne, NY. by Neill Shanahan (First Draft Series)
    18 Mar 2019 Live Storytelling Workshop (Spring 2019)
    16 Mar 2019 Developing the Full-length 2 (Spring 2019)
    12 Mar 2019 TBD by Pat Kelly (First Draft Series)
    09 Mar 2019 Essentials Bootcamp (Spring 2019)
    06 Mar 2019 Character Workshop (Spring 2019)
    05 Mar 2019 First Draft Series _ Lyndon A by Andy Mayo
    26 Feb 2019 2 Short Plays by James B. Smith (First Draft Series)
    19 Feb 2019 The Tinsel Tree by Jan Chattler (First Draft Series)
    17 Feb 2019 Network Town Hall - 10:30 AM, Sunday, February 17
    12 Feb 2019 TBD by Barbara McDonald (First Draft Series)
    09 Feb 2019 Writing the Adaptation Bootcamp (Winter 2018)
    07 Feb 2019 Essential 2 Class Presentation
    05 Feb 2019 LYNDON AGONISTES by Andy Mayo (First Draft Series)
    03 Feb 2019 Screenwriting in Progress (Winter 2018)
    29 Jan 2019 MANY MANSIONS by Ken Kaye (First Draft Series)
    28 Jan 2019 Small World by Jillian Leff and Joe Lino (Public Reading)
    26 Jan 2019 "Scene Shop" Play Development Saturday Afternoons (Winter 2018)
    26 Jan 2019 "Scene Shop" Play Development Saturday Mornings (Winter 2018)
    26 Jan 2019 Screenwriting for Playwrights Bootcamp (Winter 2018)
    23 Jan 2019 The Heart to Heart Club
    22 Jan 2019 COME SUNDAY by Conrad Lawrence (First Draft Series)
    22 Jan 2019 Real Talk With Auntie B
    21 Jan 2019 The Legendary Nana Yaa Asantewaa & the War of the Golden Stool, or They Is African Royalty Livin’ Off Fuckin’ Wilson
    20 Jan 2019 Trophies
    19 Jan 2019 Class of 2019 Russ Tutterow Fellows Play Festival (Jan 19-23rd)
    19 Jan 2019 The Amen Trilogy
    15 Jan 2019 Waynesburg, Indiana by Neill Shanahan (First Draft Series)
    12 Jan 2019 TUXEDO TERRACE by Keith Huff (a fundraising event)
    10 Jan 2019 Solo and Storytelling Development Intensive (Winter 2018)
    09 Jan 2019 Script Analysis Intensive (Winter 2018)
    08 Jan 2019 A Night of Ten-Minute Plays (First Draft Series)
    06 Jan 2019 Musicals in Process Workshop (Winter 2018)
    18 Dec 2018 A Night of Ten-Minute Plays (First Draft Series)
    12 Dec 2018 SCENE SHOP SHOWCASE
    11 Dec 2018 TBD by Mike McGeever (First Draft Series)
    11 Dec 2018 Solo Show & Storytelling Foundations ONLINE (Winter 2018)
    10 Dec 2018 BLUE BULLETS by Alvaro Saar Rios (Public Reading)
    09 Dec 2018 Essentials 2 (Winter 2018)
    09 Dec 2018 Essentials 1 (Winter 2018)
    08 Dec 2018 Developing the Full-length 1 (Winter 2018)
    04 Dec 2018 TBD by Dennis Fischer (First Draft Series)
    01 Dec 2018 Essentials Bootcamp (Winter 2018)
    01 Dec 2018 Professional Development Bootcamp (Winter 2018)
    27 Nov 2018 The Benefit Committee by Aline Lathrop
    20 Nov 2018 TBD by Andy Mayo (First Draft Series)
    18 Nov 2018 Network & Writer's Studio Town Hall
    17 Nov 2018 OFF THE PAGE
    14 Nov 2018 Writing the 10-Minute Play (Winter 2018)
    13 Nov 2018 I Know You Are, But What Am I? by Ken Kaye (First Draft Series)
    08 Nov 2018 Essentials 2 Student Presentation (Public Reading)
    06 Nov 2018 TBD (First Draft Series)
    05 Nov 2018 suspension by Kristiana Rae Colón (Public Reading)
    30 Oct 2018 FIRST DRAFT - No Reading Today
    27 Oct 2018 Tutterow Fellow Presentation (Public Reading)
    23 Oct 2018 The God Who Drowned in the River by Amy Crider (First Draft Series)
    16 Oct 2018 TBD by Doug Van Hooser (First Draft Series)
    15 Oct 2018 TAR AND FEATHER by Kristin Idaszak (Public Reading)
    15 Oct 2018 Meet & Greet Playwright Kristin Idaszak (Private Event)
    13 Oct 2018 "Scene Shop" Play Development Saturday Afternoons (Fall 2018)
    13 Oct 2018 "Scene Shop" Play Development Saturday Mornings (Fall 2018)
    11 Oct 2018 "Scene Shop" Play Development Thursday Evenings (Fall 2018)
    09 Oct 2018 The Eiger (First Draft Series)
    07 Oct 2018 Screenwriting in Progress (Fall 2018)
    02 Oct 2018 Secret Formula (First Draft Series)
    01 Oct 2018 THROWAWAY KIDS by Isaac Gomez (Public Reading)
    01 Oct 2018 Meet & Greet Playwright Isaac Gomez (Private Event)
    25 Sep 2018 Survivors (First Draft Series)
    18 Sep 2018 Galesburg by Neill Shanahan (First Draft Series)
    18 Sep 2018 Solo Show & Storytelling Workshop: From Page to Stage (Fall 2018)
    17 Sep 2018 TONI STONE by Lydia R. Diamond (Public Reading)
    17 Sep 2018 Meet & Greet Playwright Lydia R. Diamond (Private Event)
    16 Sep 2018 Essentials 2 (Fall 2018)
    16 Sep 2018 Musical Theatre: The Secret Life of the American Musical (Fall 2018)
    16 Sep 2018 Essentials 1 (Fall 2018)
    11 Sep 2018 Shrimp and Crab (First Draft Series)
    08 Sep 2018 Screenwriting for Playwrights Bootcamp (Fall 2018)
    08 Sep 2018 Essentials Bootcamp (Fall 2018)
    04 Sep 2018 TBD by Fouad Teymour (First Draft Series)
    28 Aug 2018 99th & Nowhere (First Draft Series)
    19 Aug 2018 Intern Showcase
    14 Aug 2018 Commute (First Draft Series)
    11 Aug 2018 Solo Show & Storytelling Foundations Workshop (Weekend Warrior)
    07 Aug 2018 Confounded (First Draft Series)
    04 Aug 2018 Musical Theatre Writing Intensive Weekend Summer 2018
    28 Jul 2018 MAH JONGG SWINGERS CLUB (Public Reading)
    24 Jul 2018 The Great Hannibal Hamlin (First Draft Series)
    17 Jul 2018 That Dog (First Draft Series)
    14 Jul 2018 Essentials Bootcamp Weekend Summer 2018
    10 Jul 2018 I Know You Are, But What Am I? (First Draft Series)
    01 Jul 2018 Screenwriting in Progress Summer 2018
    30 Jun 2018 The Fixer (Public Reading)
    26 Jun 2018 Anna O. (First Draft Series)
    24 Jun 2018 Writing the Adaptation Workshop Summer 2018
    24 Jun 2018 Screenwriting Lab 3.0
    23 Jun 2018 Master Class in Story Structure
    21 Jun 2018 Script Analysis - The Blueprint
    19 Jun 2018 Two Gals, Three Guys and a Briefcase (First Draft Series)
    19 Jun 2018 Solo and Storytelling Development Intensive Summer 2018
    16 Jun 2018 Page to Stage Student Presentation (Public Reading)
    12 Jun 2018 Casey's Bar (First Draft Series)
    06 Jun 2018 Developing a Play-in-Progress Summer 2018
    05 Jun 2018 THREE DAYS (First Draft Series)
    04 Jun 2018 Live Storytelling Workshop Summer 2018
    02 Jun 2018 The Widow's League (Public Reading)
    02 Jun 2018 Screenwriting for Playwrights Workshop
    02 Jun 2018 New Play Dramaturgy Bootcamp
    29 May 2018 They Are Distant (First Draft Series)
    27 May 2018 Essentials 1: The Core On-Line Version
    22 May 2018 Blind (First Draft Series)
    19 May 2018 Ashes to Ashes (Public Reading)
    14 May 2018 Essentials 2 Student Presentation (Public Reading)
    13 May 2018 Essentials 3: The Journey
    12 May 2018 Game Night (Public Reading)
    08 May 2018 You Deserve Better (First Draft Series)
    05 May 2018 Northwestern University 10-Minute Showcase (Public Reading)
    01 May 2018 A Night of Ten-Minute Plays (First Draft Series)
    28 Apr 2018 A SOLDIER'S TALE (Public Reading)
    24 Apr 2018 Back Draft (First Draft Series)
    24 Apr 2018 Solo Show & Storytelling Workshop: From Page to Stage
    21 Apr 2018 NO READING
    21 Apr 2018 Character Intensive
    17 Apr 2018 Lady Audley's Secret (First Draft Series)
    14 Apr 2018 Exotic Animals (Public Reading)
    11 Apr 2018 Developing a Play-in-Progress
    10 Apr 2018 Three Days (First Draft Series)
    07 Apr 2018 NO READING
    07 Apr 2018 Musical Theatre Writing Intensive Weekend
    05 Apr 2018 Essentials 2: Strengthen the Core ONLINE
    03 Apr 2018 Essentials 2: Strengthen the Core
    31 Mar 2018 Essentials 1: The Core
    27 Mar 2018 Afternoon With My Mother (First Draft Series)
    24 Mar 2018 (PARAGRAPH 5) (Public Reading)
    24 Mar 2018 Essentials Weekend Bootcamp
    20 Mar 2018 The Sound (First Draft Series)
    17 Mar 2018 RAG DOLL IN A MAD DOG'S MOUTH (Public Reading)
    13 Mar 2018 Lighthouse Beach (First Draft Series)
    11 Mar 2018 Screenwriting in Progress Spring 2018
    10 Mar 2018 GERIATRIC HIT MAN (Public Reading)
    06 Mar 2018 Beautiful Man (First Draft Series)
    03 Mar 2018 Writing the Adaptation Workshop
    27 Feb 2018 Ordinary Time (First Draft Series)
    20 Feb 2018 Casey's Bar (First Draft Series)
    17 Feb 2018 Lake Luzerne, N.Y. - play reading by Neill Shanahan (Public Reading)
    17 Feb 2018 Negotiating Your Own Contract (Panel)
    13 Feb 2018 The Harp Star (First Draft Series)
    06 Feb 2018 Solo Show & Storytelling Fundamentals Class
    03 Feb 2018 FAITH IN A FALLEN WORLD (Public Reading)
    03 Feb 2018 Screenwriting 2.0
    30 Jan 2018 A Secluded Place (First Draft Series)
    27 Jan 2018 New Resident Showcase (Public Reading)
    23 Jan 2018 BLIND (First Draft Series)
    22 Jan 2018 Essentials 2: Strengthen the Core ON-LINE
    22 Jan 2018 Essentials 2: Strengthen the Core
    20 Jan 2018 RIGHT IN FRONT OF US (Public Reading)
    20 Jan 2018 Essentials 1: The Core
    18 Jan 2018 The Blueprint | Building Your Play
    16 Jan 2018 A Night of Ten-Minute Plays (First Draft Series)
    16 Jan 2018 Marketing & Producing your Solo Show or Story Event
    13 Jan 2018 THE AFTER (Public Reading)
    06 Jan 2018 HOLIDAY WEEKEND - NO READING
    30 Dec 2017 HOLIDAY WEEKEND - NO READING
    23 Dec 2017 HOLIDAY WEEKEND - NO READING
    19 Dec 2017 Twilight of Humanity (First Draft Series)
    16 Dec 2017 ABOVE THE CEILING (Public Reading)
    12 Dec 2017 Stones (First Draft Series)
    09 Dec 2017 SOLO SHOW: FROM PAGE TO STAGE (Public Reading)
    05 Dec 2017 Boundary Waters (First Draft Series)
    02 Dec 2017 LIFE IN A SANDCASTLE (Public Reading)
    28 Nov 2017 After Hours (First Draft Series)
    25 Nov 2017 HOLIDAY WEEKEND - NO READING
    21 Nov 2017 No First Draft Series
    18 Nov 2017 THE GUEST (Public Reading)
    14 Nov 2017 First Draft Series
    13 Nov 2017 Lewis Scholarship Fund Benefit
    11 Nov 2017 BALLAST (Public Reading)
    07 Nov 2017 For California...With Love, Norma Jeane (First Draft Series)
    04 Nov 2017 THE WOMAN, THE DOG, AND THE MACHETE (Public Reading)
    31 Oct 2017 No Draft Series
    28 Oct 2017 BORNE DUST (Public Reading)
    24 Oct 2017 Burned (First Draft Series)
    22 Oct 2017 Essentials 3: The Journey On-line
    21 Oct 2017 NO READING TODAY; RESCHEDULED TO DEC. 16
    17 Oct 2017 First Draft Series
    17 Oct 2017 Solo Show & Storytelling Workshop: From Page to Stage
    14 Oct 2017 TAR AND FEATHER (Public Reading)
    12 Oct 2017 Benefit Performance: THE MAKING OF A MODERN FOLK HERO
    12 Oct 2017 Essentials 1: The Core On-Line Version
    10 Oct 2017 Under the Starz (First Draft Series)
    07 Oct 2017 DON'T TRUST TESS! (Public Reading)
    07 Oct 2017 Solo Show & Storytelling Foundations Workshop (Weekend Warrior)
    03 Oct 2017 Ashes to Ashes (First Draft Series)
    02 Oct 2017 Essentials 2: Strengthen the Core
    01 Oct 2017 Screenwriting 1.0 ONLINE
    30 Sep 2017 Playwright's Preview: THE MAKING OF A MODERN FOLK HERO
    30 Sep 2017 NO READING TODAY!
    30 Sep 2017 Essentials 1: The Core
    26 Sep 2017 How Heaven Works (First Draft Series)
    23 Sep 2017 STRAY (Public Reading)
    23 Sep 2017 Essentials Core Weekend Bootcamp
    20 Sep 2017 Developing a Play-in-Progress
    19 Sep 2017 The Hidden Path (First Draft Series)
    16 Sep 2017 LAUNCH DAY (Public Reading)
    12 Sep 2017 Dead Guinea Pig (First Draft Series)
    10 Sep 2017 Small Screen in Progress
    06 Sep 2017 Essentials 2: Strengthen the Core ON-LINE
    05 Sep 2017 No First Draft Series
    02 Sep 2017 LABOR DAY WEEKEND (No Reading)
    29 Aug 2017 Many Mansions (First Draft Series)
    26 Aug 2017 PLAYWRIGHTS' PREVIEW (Private Event)
    26 Aug 2017 LOOK AT YOU (Public Reading)
    22 Aug 2017 A Night of 10-Minute Plays (First Draft Series)
    19 Aug 2017 THE IRREGULARS (Public Reading)
    15 Aug 2017 First Draft Series
    12 Aug 2017 THE FREAKS OF MERCY (Public Reading)
    08 Aug 2017 A Night of 10-Minute Plays (First Draft Series)
    05 Aug 2017 NO READING TODAY
    01 Aug 2017 Monica (This Play Is Not About Monica Lewinsky) (First Draft Series)
    30 Jul 2017 ANNUAL COMPANY PICNIC
    25 Jul 2017 Man of the People (First Draft Series)
    22 Jul 2017 SOLO SHOW: FROM PAGE TO STAGE (Public Reading)
    20 Jul 2017 Essentials 1: The Core On-Line Version
    18 Jul 2017 Aaron the Wolf (First Draft Series)
    17 Jul 2017 The Blueprint | Building Your Play
    16 Jul 2017 Essentials 3: The Journey
    15 Jul 2017 OUTSIDE JOB (Public Reading)
    11 Jul 2017 The Trial (First Draft Series)
    11 Jul 2017 Writing the Political or Social Play
    09 Jul 2017 The Rewrite - On-line Version
    08 Jul 2017 EXTENDED HOLIDAY WEEK! (No Reading)
    05 Jul 2017 Developing a Play-in-Progress
    04 Jul 2017 No First Draft Series Reading
    01 Jul 2017 INDEPENDENCE DAY WEEKEND (No Reading)
    27 Jun 2017 The Reality Sisters (First Draft Series)
    24 Jun 2017 THE WOMAN, THE DOG, AND THE MACHETE (Public Reading)
    24 Jun 2017 Essentials Core Weekend Bootcamp
    21 Jun 2017 Writing for the Small Screen: TV and Web Pilot
    20 Jun 2017 Lake Luzerne, NY. (First Draft Series)
    17 Jun 2017 WHEN THEY CAME (Public Reading)
    17 Jun 2017 Screenwriting 1.0
    17 Jun 2017 What's So Funny? Weekend Comedy Intensive for Writers and Storytellers
    13 Jun 2017 Something Right (First Draft Series)
    10 Jun 2017 Scrapbook (Public Reading)
    07 Jun 2017 Solo and Storytelling Development Intensive
    06 Jun 2017 D-Town (First Draft Series)
    05 Jun 2017 Radio Theatre/Podcast Workshop
    03 Jun 2017 NO SATURDAY SERIES
    30 May 2017 Priceless (First Draft Series)
    30 May 2017 Solo Show & Storytelling Workshop: From Page to Stage
    27 May 2017 MEMORIAL DAY WEEKEND (No Reading)
    23 May 2017 Home Away (First Draft Series)
    20 May 2017 PERKUP ELKHORN
    16 May 2017 Play at Paste (First Draft Series)
    13 May 2017 TILIKUM (Public Reading)
    09 May 2017 The Crux Family: 33 Years of Life and Death in a Dysfunctional Household (First Draft Series)
    06 May 2017 LA ELOTERA
    02 May 2017 Beautiful Man (First Draft Series)
    29 Apr 2017 The Freshman Bed
    22 Apr 2017 WHITE FRAGILITY (Public Reading)
    18 Apr 2017 A Night of 10-Minute Plays (First Draft Series)
    15 Apr 2017 EASTER WEEKEND (No Reading)
    08 Apr 2017 Cultivating Critics of Color: A Panel Discussion (Public)
    08 Apr 2017 Essentials Core Weekend Bootcamp
    04 Apr 2017 Many Mansions (First Draft Series)
    01 Apr 2017 THE HOUSE OF THE NEGRO INSANE (Public Reading)
    01 Apr 2017 Screenwriting for Playwrights: Boot Camp Basics
    28 Mar 2017 The Yellow Room Murders (First Draft Series)
    25 Mar 2017 A WOLF AT EVERY WINDOW (Public Reading)
    21 Mar 2017 The Burlesque Anatomy Play (First Draft)
    18 Mar 2017 HEADSHOTS (Public Reading)
    14 Mar 2017 Boundary Waters (First Draft Series)
    11 Mar 2017 BOUNTIFUL GIFTS (Public Reading)
    07 Mar 2017 Revenge for Revenge (First Draft Series)
    04 Mar 2017 FAY BURNS! (Public Reading)
    28 Feb 2017 Serpent Head (First Draft Series)
    25 Feb 2017 NORTHWESTERN UNIVERSITY 10-MINUTE PLAY WORKSHOP (Public Reading)
    21 Feb 2017 Alterations (First Draft Series)
    18 Feb 2017 NAT TURNER: A PROPHET'S SORROW (Public Reading)
    14 Feb 2017 Chemistry (First Draft Series)
    11 Feb 2017 PANEL DISCUSSION: UNDERSTANDING NEW PLAY DEVELOPMENT (Public Reading)
    07 Feb 2017 Late to the Riots (First Draft Series)
    04 Feb 2017 THE OFFICIAL BIOGRAPHY (Public Reading)
    31 Jan 2017 The Poets (First Draft Series)
    28 Jan 2017 TUTTEROW FELLOWS SHOWCASE (Public Reading)
    24 Jan 2017 That Good Night (First Draft)
    23 Jan 2017 Essentials 1: The Core
    22 Jan 2017 Writing Musical Theatre: Story Into Song 1
    21 Jan 2017 INAUGURATION BLUES (Public Reading)
    14 Jan 2017 LORCA IN NEW YORK (Public Reading)
    14 Jan 2017 Essentials Core Weekend Bootcamp
    07 Jan 2017 WINTER HOLIDAYS (No Reading)
    31 Dec 2016 MORE WINTER HOLIDAYS (No Reading)
    24 Dec 2016 WINTER HOLIDAYS (No Reading)
    17 Dec 2016 WINTER HOLIDAYS (No Reading)
    13 Dec 2016 A Night of Ten-Minute Plays (First Draft)
    10 Dec 2016 MARABAR (Public Reading)
    06 Dec 2016 Lights Out in the Bunkhouse (First Draft)
    06 Dec 2016 Marketing & Producing your Solo Show or Story Event
    03 Dec 2016 GLASS (Public Reading)
    29 Nov 2016 Under the Piano (First Draft)
    26 Nov 2016 THANKSGIVING WEEKEND (No Reading)
    22 Nov 2016 Lockdown (First Draft)
    19 Nov 2016 REMEMBER ME (Public Reading)
    15 Nov 2016 The Volunteer (First Draft)
    12 Nov 2016 TRADE SHOW (Public Reading)
    05 Nov 2016 EM 'N' NAM (Public Reading)
    29 Oct 2016 THE DISPLACED (Public Reading)
    25 Oct 2016 The Secret Garden of Aurora Leigh (First Draft)
    22 Oct 2016 I CARRY YOUR HEART (Public Reading)
    18 Oct 2016 Detroit Blues (First Draft)
    15 Oct 2016 MY LAST WILL AND TESTAMENT (Public Reading)
    12 Oct 2016 Solo Show and Storytelling Development
    11 Oct 2016 The Hotel Troy (First Draft)
    10 Oct 2016 Essentials 2: Strengthen the Core
    09 Oct 2016 Writing Musical Theatre: The Secret Life of the American Musical
    08 Oct 2016 A Town Called Progress (Public Reading)
    08 Oct 2016 Essentials Core Weekend Bootcamp
    06 Oct 2016 Screenwriting 2.0
    05 Oct 2016 Developing a Play-in-Progress
    04 Oct 2016 Title TBD (First Draft)
    04 Oct 2016 Screenwriting 1.0
    29 Sep 2016 DEAD CHILDREN
    27 Sep 2016 Disruption (First Draft)
    24 Sep 2016 THE REMARKABLE JOURNEY OF THE FIRST FRUITS (Public Reading)
    20 Sep 2016 Santa's Last Christmas (First Draft)
    17 Sep 2016 NEW RESIDENTS SHOWCASE (Public Reading)
    17 Sep 2016 It Happened One Weekend
    10 Sep 2016 SOLO SHOW: FROM PAGE TO STAGE (Public Reading)
    03 Sep 2016 LABOR DAY WEEKEND (No Reading)
    27 Aug 2016 THE CROONER (Public Reading)
    20 Aug 2016 The Real Life Adventures of Jimmy de las Rosas (Public Reading)
    18 Aug 2016 Marketing Yourself as a Playwright
    16 Aug 2016 Many Mansions (First Draft)
    13 Aug 2016 Fay Burns! (Public Reading)
    09 Aug 2016 An Evening of One-Acts (First Draft)
    06 Aug 2016 DANCE FOR BEGINNERS (Public Reading)
    02 Aug 2016 The Harp Star (First Draft)
    02 Aug 2016 Solo Show & Storytelling Workshop: From Page to Stage
    30 Jul 2016 THE PLAY THAT USED TO BE TITLED, '1247 LIKES' DECIDES TO GO DANCING IN A CEMETERY a new play with its own agency
    26 Jul 2016 Campaign Forum, 2016 and Black Swan E.M.P. (First Draft)
    23 Jul 2016 PANEL: PLAYWRIGHT AS PRODUCER (Public Event)
    19 Jul 2016 The Quick Fix (First Draft)
    16 Jul 2016 THE LOST BAR MITZVAH SPEECH OF JESUS (Public Reading)
    12 Jul 2016 Old and In The Way in the Good Ol' U.S. of A. (First Draft)
    09 Jul 2016 THE ACTUARY (Public Reading)
    09 Jul 2016 Solo Show & Storytelling Foundations Workshop
    09 Jul 2016 Essentials 2: Strengthen the Core
    05 Jul 2016 The Trial (First Draft)
    02 Jul 2016 INDEPENDENCE DAY WEEKEND (No Reading)
    28 Jun 2016 Los Tequileros (First Draft)
    25 Jun 2016 WISDOM FROM EVERYTHING (Public Reading)
    25 Jun 2016 Essentials Core Weekend Bootcamp
    21 Jun 2016 Tbe Parable of the Peacock (First Draft)
    21 Jun 2016 The Blueprint | Building Your Play
    20 Jun 2016 Essentials 3: The Journey
    18 Jun 2016 A LITTLE BIT NOT NORMAL (Public Reading)
    14 Jun 2016 Horizon's Gone (First Draft)
    11 Jun 2016 READING CANCELED
    09 Jun 2016 Essentials 1: The Core
    08 Jun 2016 Developing a Play-in-Progress
    07 Jun 2016 We Just Met (First Draft)
    07 Jun 2016 Screenwriting 1.0
    04 Jun 2016 ALICE AND CELIA AND WHATEVER IT TAKES (Public Reading)
    31 May 2016 Lady Audley's Secret (First Draft)
    28 May 2016 NO SATURDAY SERIES READING
    21 May 2016 10-MINUTE PLAY WORKSHOP (Public Reading)
    14 May 2016 ALL THE DYING VOICES (Public Reading)
    07 May 2016 BOUNDARIES (Public Reading)
    03 May 2016 Solo Play or Monologue Development Workshop
    30 Apr 2016 99% WALDEN (Public Reading)
    23 Apr 2016 NO SATURDAY SERIES READING
    16 Apr 2016 DANCE FOR BEGINNERS (Public Reading)
    13 Apr 2016 Dissecting Dialogue
    12 Apr 2016 MARVELOUS MADELEINES (First Draft)
    09 Apr 2016 FRESHMAN BED (Public Reading)
    05 Apr 2016 LAUNCH DAY (First Draft)
    02 Apr 2016 NO READING TODAY
    29 Mar 2016 LOCK AND DAM (First Draft)
    26 Mar 2016 HOPE THE HIPPO (Public Reading)
    26 Mar 2016 Essentials 1: The Core
    24 Mar 2016 Screenwriting 2.0
    23 Mar 2016 Developing a Play-in-Progress
    22 Mar 2016 SCATTER THE PIGEONS (First Draft)
    22 Mar 2016 Screenwriting 1.0
    21 Mar 2016 Writing the 10-Minute Play
    20 Mar 2016 Musicals in Process
    20 Mar 2016 Story into Song 1
    19 Mar 2016 TITLE IX (Public Reading)
    15 Mar 2016 ASHES TO ASHES (First Draft)
    14 Mar 2016 Essentials 2: Strengthen the Core
    12 Mar 2016 THERE'S AN OCEAN IN NEBRASKA (Public Reading)
    08 Mar 2016 TWICE, THRICE, FRICE (First Draft)
    05 Mar 2016 THE HERO'S WIFE (Public Reading)
    05 Mar 2016 Essentials Core Weekend Bootcamp
    01 Mar 2016 LIGHTHOUSE BEACH (First Draft)
    27 Feb 2016 NORTHWESTERN UNIVERSITY 10-MINUTE PLAY WORKSHOP (Public Reading)
    23 Feb 2016 IN THE JUSTICE DEPARTMENT (First Draft)
    20 Feb 2016 THE LAST SANE MAN (Public Reading)
    16 Feb 2016 TEMPTATION (First Draft)
    13 Feb 2016 THROWING RICE (Public Reading)
    09 Feb 2016 PIZZA GUY (First Draft)
    06 Feb 2016 FULL DISCLOSURE (Public Reading)
    02 Feb 2016 DEAD WHEN SHE'S AWAKE (First Draft)
    30 Jan 2016 NO SATURDAY SERIES READING
    23 Jan 2016 SPECIAL EVENT: How to Produce and Run Effective Readings of Your Work
    23 Jan 2016 Screenwriting 2.0
    23 Jan 2016 Writing the Solo Play or Monologue (Malinowski)
    23 Jan 2016 Developing a Play-in-Progress (Koon)
    23 Jan 2016 Essentials 1: The Core (Edmund)
    20 Jan 2016 Developing a Play-in-progress (Post)
    20 Jan 2016 Essentials 2: Strengthen the Core (Formby)
    19 Jan 2016 Screenwriting 1.0
    17 Jan 2016 Musicals in Process
    16 Jan 2016 THE RESISTANCE (Reading)
    16 Jan 2016 Essentials Core Weekend Bootcamp (Formby)
    13 Jan 2016 THE HIT MAN AND THE MILF (First Draft)
    09 Jan 2016 KOALAS (Reading)
    02 Jan 2016 NO SATURDAY SERIES READING
    26 Dec 2015 NO SATURDAY SERIES READING
    19 Dec 2015 NO SATURDAY SERIES READING
    12 Dec 2015 10-MINUTE PLAY WORKSHOP (Reading)
    05 Dec 2015 THE ARTEESTS (Reading)
    28 Nov 2015 NO SATURDAY SERIES READING
    21 Nov 2015 THE GORILLA KING (Reading)
    14 Nov 2015 DOMER (Reading)
    07 Nov 2015 POP-UP KID (Reading)
    31 Oct 2015 JOHNNY 10-BEER'S DAUGHTERS (Reading)
    24 Oct 2015 A COUPLE OF NOBODIES (Reading)
    24 Oct 2015 Screenwriting 1.0 (Clarke)
    23 Oct 2015 Blue Moon Mystery Ball
    17 Oct 2015 GOOD FRIDAY (Reading)
    13 Oct 2015 Solo Play or Monologue Development Workshop (Malinowski)
    10 Oct 2015 SIR LANCELOT JONES (Reading)
    10 Oct 2015 Essentials 1 - Core Skills (Edmund)
    10 Oct 2015 Discovering the Soul of Your Story | Online (Rueff)
    08 Oct 2015 Essentials 1 - Core Skills (Formby)
    07 Oct 2015 Developing a Play-in-progress (Post)
    05 Oct 2015 Writing the 10-Minute Play (Post)
    05 Oct 2015 The Blueprint | Building Your Play (Formby)
    04 Oct 2015 Song Lyric Lab (Coons)
    04 Oct 2015 Story Into Song 1 (Coons)
    03 Oct 2015 MATTHEW THREE HORN (Reading)
    03 Oct 2015 Writing the Solo Play or Monologue (Malinowski)
    03 Oct 2015 Essentials Core Weekend Bootcamp (Edmund)
    26 Sep 2015 TEN-SECOND DELAY (Reading)
    19 Sep 2015 NO SATURDAY SERIES READING
    12 Sep 2015 FIFTH ANNUAL SCRAPBOOK (Reading)
    12 Sep 2015 Making It Active | Tuning In to Verbs (Koon)
    05 Sep 2015 NO SATURDAY SERIES READING
    29 Aug 2015 SOLO SHOW: FROM PAGE TO STAGE (Reading)
    22 Aug 2015 DAUGHTERS OF THE MOON (Reading)
    15 Aug 2015 THE DEFIANT (Reading)
    08 Aug 2015 OTHER FAMILIARS (Reading)
    04 Aug 2015 ALL THROUGH THE NIGHT (First Draft)
    04 Aug 2015 Solo Show | From Page to Stage (Start)
    01 Aug 2015 THE MADRES (Reading)
    01 Aug 2015 Weekend Master Class (Start)
    28 Jul 2015 THE OTHER MAN (First Draft)
    25 Jul 2015 DRINKS WITH JACK (Reading)
    25 Jul 2015 It Happened One Weekend (Start)
    21 Jul 2015 YOU EVEN RUN LIKE A GOODY GOODY! (First Draft)
    18 Jul 2015 CREEP (Reading)
    14 Jul 2015 DUTY (First Draft)
    11 Jul 2015 TWELVE (Reading)
    07 Jul 2015 AN AFTERNOON WITH MY MOTHER (First Draft)
    04 Jul 2015 NO SATURDAY SERIES READING
    02 Jul 2015 The Blueprint | Building Your Play (Start)
    30 Jun 2015 A FAMILY PLAY (First Draft)
    28 Jun 2015 Musicals in Process (Start)
    27 Jun 2015 KNOCK (Reading)
    27 Jun 2015 Screenwriting 1.0 (Start)
    27 Jun 2015 Playwriting Fundamentals | Woldman (Start)
    24 Jun 2015 Developing a Play-in-progress (Start)
    23 Jun 2015 THE PASSING (First Draft)
    23 Jun 2015 Playwriting Fundamentals | Edmund (Start)
    22 Jun 2015 The Blueprint | Building Your Play (Start)
    21 Jun 2015 Discovering the Soul of Your Story (Online)
    20 Jun 2015 10-MINUTE PLAY WORKSHOP (Reading)
    20 Jun 2015 Weekend Workshop | Solo Show (Start)
    16 Jun 2015 WHY BAD THINGS HAPPEN TO GOOD PEOPLE (First Draft)
    13 Jun 2015 NAMELESS AND SHAMELESS (Reading)
    09 Jun 2015 THE BLACKWELL CLUB (First Draft)
    06 Jun 2015 NO SATURDAY SERIES READING
    02 Jun 2015 WELCOME HOME (First Draft)
    30 May 2015 HATH TAKEN AWAY (Reading)
    26 May 2015 THE LAST SANE MAN (First Draft)
    23 May 2015 NO SATURDAY SERIES READING
    19 May 2015 THE LOST BAR MITZVAH SPEECH OF JESUS (First Draft)
    17 May 2015 MARGARET LEWIS MEMORIAL SERVICE (Special)
    16 May 2015 THE RUNNING MATE (Reading)
    14 May 2015 BLUE MOON BALL (Gala)
    09 May 2015 THE WIDOWS' LEAGUE (Reading)
    02 May 2015 YOU MUST ACT NOW (Reading)
    26 Apr 2015 Song Lyric Lab (Start)
    26 Apr 2015 Story into Song | Level 2 (Start)
    18 Apr 2015 HOTLINE (Reading)
    16 Apr 2015 Playwriting Fundamentals | Formby (Start)
    11 Apr 2015 MAKING IT (Reading)
    11 Apr 2015 Playwriting Fundamentals | Woldman (Start)
    07 Apr 2015 Solo Show | Writing the One-person Play (Start)
    01 Apr 2015 Developing a Play-in-progress (Start)
    01 Apr 2015 Discovering the Soul of Your Story (Online)
    30 Mar 2015 Writing the 10-Minute Play (Start)
    28 Mar 2015 GRAVEYARD OF EMPIRES (Social)
    28 Mar 2015 THE DEATH AND LIFE OF JOHN SMITH (Reading)
    21 Mar 2015 Director/Playwright Collaboration Mixer (Start)
    21 Mar 2015 ALICE AND CELIA AND WHATEVER IT TAKES (Reading)
    14 Mar 2015 INTERROGATION (Reading)
    07 Mar 2015 CIVIL WARS (Reading)
    07 Mar 2015 Creating Fire on the Page (Start)
    28 Feb 2015 THE NEW REPUBLIC (Reading)
    21 Feb 2015 NORTHWESTERN UNIVERSITY 10-MINUTE WORKSHOP (Reading)
    15 Feb 2015 Instant Play Workshop (First Session)
    14 Feb 2015 ROCKS AND SHOALS (Reading)
    09 Feb 2015 BLUE JEANS BALL (Social)
    07 Feb 2015 KANSAS (Reading)
    31 Jan 2015 HURRY SLOWLY (Reading)
    29 Jan 2015 Writing the 10-Minute Play (First Session)
    28 Jan 2015 Developing a Play-in-progress (First Session)
    27 Jan 2015 What's So Funny? Comedy Intensive for Playwrights (First Session)
    27 Jan 2015 Playwriting Fundamentals | Edmund (First Session)
    25 Jan 2015 Story into Song [1] (First Session)
    25 Jan 2015 Musicals in Process (First Session)
    24 Jan 2015 WHOZIT (Reading)
    24 Jan 2015 Weekend Workshop: Solo, Monologue & Story (First Session)
    24 Jan 2015 Play Development Workshop (First Session)
    24 Jan 2015 Playwriting Fundamentals | Lewis (First Session)
    24 Jan 2015 Discovering the Soul of Your Story (Online)
    17 Jan 2015 AND EAT IT, TOO (Reading)
    10 Jan 2015 NEW RESIDENTS SHOWCASE (Reading)
    03 Jan 2015 SATURDAY SERIES HOLIDAY HIATUS
    27 Dec 2014 SATURDAY SERIES HOLIDAY HIATUS
    20 Dec 2014 SATURDAY SERIES HOLIDAY HIATUS
    16 Dec 2014 THE UNSPEAKABLE GIFT (First Draft)
    13 Dec 2014 THE PLAYS ABOUT THE SQUIRRELS (Reading)
    09 Dec 2014 SAM'S HEAVY LOAD (First Draft)
    02 Dec 2014 THE VISIT (First Draft)
    29 Nov 2014 NO READING TODAY (Reading)
    25 Nov 2014 REGRETS ONLY (First Draft)
    22 Nov 2014 ECHO (Reading)
    18 Nov 2014 SEA CHANGE (First Draft)
    15 Nov 2014 UNTIL DEATH (Reading)
    11 Nov 2014 A TOWN CALLED PROGRESS (First Draft)
    08 Nov 2014 CARDBOARD ALL-STARS (Reading)
    04 Nov 2014 THE TRAITOR'S SONG (First Draft)
    01 Nov 2014 TWIN SET (Reading)
    01 Nov 2014 WEEKEND WORKSHOP: ACTOR-INSPIRED WRITING (First Session)
    28 Oct 2014 NOR IRON BARS A CAGE (First Draft)
    25 Oct 2014 CYCLIST ATTACKED BY MOUNTAIN LION (Reading)
    21 Oct 2014 INSIDE JOKES FOR PLAYWRIGHTS (First Draft)
    18 Oct 2014 MOTHER OF EXILES (Reading)
    18 Oct 2014 PLAYWRITING FUNDAMENTALS (Lewis - First Session)
    14 Oct 2014 FIRST WORDS (First Draft)
    14 Oct 2014 FIRST WORDS (First Draft)
    13 Oct 2014 MUSICALS IN PROCESS (First Session)
    11 Oct 2014 MARGIN OF ERROR (Reading)
    11 Oct 2014 SCREENWRITING 1.0 (First Session)
    11 Oct 2014 PLAY DEVELOPMENT WORKSHOP (First Session)
    09 Oct 2014 ADAPTATION (First Session)
    08 Oct 2014 THE BLUEPRINT (First Session)
    08 Oct 2014 DEVELOPING A PLAY-IN-PROGRESS (First Session)
    07 Oct 2014 HAPPY FLOWERS (First Draft)
    07 Oct 2014 SOLO SHOW DEVELOPMENT WORKSHOP (First Session)
    07 Oct 2014 PLAYWRITING FUNDAMENTALS (Edmund - First Session)
    06 Oct 2014 DISCOVERING THE SOUL OF YOUR STORY (Online Start)
    05 Oct 2014 SONG LYRIC LAB (First Session)
    04 Oct 2014 FOR HER AS A PIANO (Reading)
    30 Sep 2014 A FEW DITTIES (First Draft)
    27 Sep 2014 HORRIBLE WEAPONS OF THE FUTURE (Reading)
    20 Sep 2014 RED ROCK (Reading)
    13 Sep 2014 SUFFER THE LONG NIGHT (Reading)
    06 Sep 2014 FOURTH ANNUAL SCRAPBOOK (Reading)
    06 Sep 2014 SCRAPBOOK (Reading)
    04 Sep 2014 WRITING THE 10-MINUTE PLAY (First Session)
    30 Aug 2014 NO EVENT TODAY (Reading)
    23 Aug 2014 JOHNNY TEN BEERS’ DAUGHTER (Reading)
    23 Aug 2014 IT HAPPENED ONE WEEKEND (First Session)
    16 Aug 2014 3rd ANNUAL SOLO SHOWCASE (Reading)
    09 Aug 2014 LAKE VIEW ROULETTE (Reading)
    02 Aug 2014 THE CORNER OFFICE (Reading)
    02 Aug 2014 WEEKEND MASTER CLASS (First Session)
    26 Jul 2014 DAUGHTERS OF THE MOON (Reading)
    26 Jul 2014 WEEKEND WORKSHOP: SOLO SHOWS & MONOLOGUES, ADVANCED (First Session)
    19 Jul 2014 LOVE MONK (Reading)
    15 Jul 2014 LOSS, ANGER & JEALOUSY (First Draft)
    13 Jul 2014 STORY INTO SONG [1] (First Session)
    13 Jul 2014 MUSICALS IN PROCESS (First Session)
    12 Jul 2014 UNVEILED (Reading)
    08 Jul 2014 VIRGIN SKIN (First Draft)
    05 Jul 2014 NO EVENT TODAY (Reading)
    01 Jul 2014 HOME IS WHERE (First Draft)
    28 Jun 2014 10-MINUTE WORKSHOP - COMEDY (10-Minute Workshop)
    24 Jun 2014 THE VISIT (First Draft)
    24 Jun 2014 SOLO SHOWS & MONOLOGUES (First Session)
    21 Jun 2014 ALL GOOD CHILDREN GO TO HEAVEN (Reading)
    21 Jun 2014 SCREENWRITING 1.0 (First Session)
    18 Jun 2014 DEVELOPING A PLAY-IN-PROGRESS (First Session)
    17 Jun 2014 THREE DITTIES (First Draft)
    14 Jun 2014 SOLOS & MONOLOGUES (Reading)
    14 Jun 2014 PLAY DEVELOPMENT WORKSHOP (First Session)
    14 Jun 2014 PLAYWRITING FUNDAMENTALS (Lewis - First Session)
    10 Jun 2014 MILLIONS AND MILLIONS AND MILLIONS (First Draft)
    07 Jun 2014 THE KISS - A Musical (Reading)
    06 Jun 2014 BLUE MOON GALA (Gala)
    03 Jun 2014 FLIGHT OF THE OSTRICH (First Draft)
    31 May 2014 ORACLE ROCK (Reading)
    27 May 2014 HIGHNESS (First Draft)
    24 May 2014 MEMORIAL DAY WEEKEND (No Reading)
    20 May 2014 HONEST DISAGREEMENT (First Draft)
    17 May 2014 SCENES FOR A GIRL (Reading)
    10 May 2014 SUPER WINNING MADE EASY (Reading)
    03 May 2014 NIGHTINGALE (Reading)
    26 Apr 2014 GHOST GARDENS (Reading)
    19 Apr 2014 BEAUTIFUL AUTISTIC (Reading)
    19 Apr 2014 WEEKEND WORKSHOP: THE SHORT PLAY (First Session)
    15 Apr 2014 SOLO SHOW (First Session)
    12 Apr 2014 BACKSTAGE FORUM - TEACHING PLAYWRITING (Panel)
    10 Apr 2014 YOUR MAMA'S PLAY IS SO UGLY (First Session)
    09 Apr 2014 THE BLUEPRINT (First Session)
    09 Apr 2014 DEVELOPING A PLAY-IN-PROGRESS (First Session)
    08 Apr 2014 PLAYWRITING FUNDAMENTALS (Edmund - First Session)
    07 Apr 2014 SPRING BLUE JEANS BALL (Social Event)
    06 Apr 2014 MUSICALS IN PROGRESS (First Session)
    06 Apr 2014 STORY INTO SONG [2] (First Session)
    05 Apr 2014 THE ARTEESTS (Reading)
    05 Apr 2014 SCREENWRITING 1.0 (First Session)
    05 Apr 2014 PLAYWRITING FUNDAMENTALS (Lewis - First Session)
    01 Apr 2014 THE NEW REPUBLIC (First Draft)
    29 Mar 2014 10-MINUTE WORKSHOP (Reading)
    25 Mar 2014 DEATH IN A BEULAH BOX (First Draft)
    22 Mar 2014 THERE'S AN OCEAN IN NEBRASKA (Reading)
    18 Mar 2014 PILLOW TALKS (First Draft)
    15 Mar 2014 MINE AND YOURS (Reading)
    11 Mar 2014 AN INTERESTING CASE (First Draft)
    09 Mar 2014 THE ROPER (Special Performance)
    08 Mar 2014 HILDA AND MAE (Reading)
    08 Mar 2014 WEEKEND WORKSHOP: NEW PLAY DRAMATURGY (First Session)
    04 Mar 2014 DOOR JAM (First Draft)
    01 Mar 2014 THE MECCA TALES (Reading)
    01 Mar 2014 WEEKEND WORKSHOP: SOLO SHOW (First Session)
    25 Feb 2014 ICE FISHING (First Draft)
    22 Feb 2014 MERCHILD (Reading)
    18 Feb 2014 RED KITE (First Draft)
    15 Feb 2014 FLOATERS (Reading)
    11 Feb 2014 HORRIBLE WEAPONS OF THE FUTURE (First Draft)
    08 Feb 2014 NORTHWESTERN UNIVERSITY 10-MINUTE WORKSHOP (Reading)
    04 Feb 2014 AN ITALIAN FAMILY (First Draft)
    03 Feb 2014 MUSICAL THEATRE WRITING - STORY INTO SONG (I) (Class - First Session)
    03 Feb 2014 THE BLUEPRINT (Class - First Session)
    01 Feb 2014 OAKTON HIGH HOMECOMING DANCE, 1999 (Reading)
    01 Feb 2014 PLAYWRITING LAB (Class - First Session)
    30 Jan 2014 THE LIVING MOMENT (Class - First Session)
    29 Jan 2014 DEVELOPING A PLAY-IN-PROGRESS (Class - First Session)
    28 Jan 2014 4400 HOURS (First Draft)
    26 Jan 2014 MUSICAL THEATRE WRITING - SONG LYRIC LAB (Class - First Session)
    25 Jan 2014 WELCOME POTLUCK FOR CINDY JO (Social)
    25 Jan 2014 THE SHABBOS GOY (Reading)
    25 Jan 2014 SCREENWRITING LAB 1.0 (Class - First Session)
    18 Jan 2014 HARDCORE UFOs (Reading)
    18 Jan 2014 PLAY DEVELOPMENT WORKSHOP (Class - First Session)
    11 Jan 2014 A PLACE IN THE WOODS (Reading)
    04 Jan 2014 HAPPY NEW YEAR (No Reading)
    28 Dec 2013 HAPPY HOLIDAYS! (No Reading)
    21 Dec 2013 HAPPY HOLIDAYS! (No Reading)
    17 Dec 2013 THE SESQUICENTENARIAN (First Draft)
    14 Dec 2013 PLAYHOUSE (Reading)
    10 Dec 2013 THE TRAGEDY OF THESEUS (First Draft)
    07 Dec 2013 PUSH BUTTON MURDER (Reading)
    03 Dec 2013 SIX SHORT PLAYS (First Draft)
    30 Nov 2013 HAPPY THANKSGIVING! (No Reading)
    26 Nov 2013 MYRA BRADWELL (First Draft)
    23 Nov 2013 BURY ME (Reading)
    19 Nov 2013 THREE DITTIES (First Draft)
    16 Nov 2013 THE NOVICE (Reading)
    12 Nov 2013 SOLUTIONS (First Draft)
    09 Nov 2013 FREE RADICALS (Reading)
    05 Nov 2013 SOUVENIR (First Draft)
    02 Nov 2013 THE LAST CADILLAC (Reading)
    02 Nov 2013 SOLO SHOW WEEKEND WORKSHOP (Class - First Session)
    29 Oct 2013 CONFESSIONAL (First Draft)
    26 Oct 2013 ST. PAULIE'S DELIGHT (Reading)
    26 Oct 2013 WORDPLAY IS FOREPLAY (Class - First Session)
    22 Oct 2013 HOUSE ON WOLF LAKE (First Draft)
    19 Oct 2013 HELLFIRE (Reading)
    15 Oct 2013 HANDYMAN (First Draft)
    12 Oct 2013 THE SMALL OF HER BACK (Reading)
    12 Oct 2013 SCREENWRITING LAB 1.0 (Class - First Session)
    05 Oct 2013 PANEL - WOMEN IN THE LEAD (Panel)
    03 Oct 2013 THE LIVING MOMENT: Playwriting as a Present-tense Art Form (Class - First Session)
    02 Oct 2013 WRITING WITH ARCHETYPES - Part 2 (Class - First Session)
    01 Oct 2013 PLAYWRITING LAB (Class - First Session)
    01 Oct 2013 SOLO SHOW DEVELOPMENT WORKSHOP - Writing the One Person Play (Class - First Session)
    30 Sep 2013 MUSICAL THEATRE WRITING - STORY INTO SONG (II) (Class - First Session )
    30 Sep 2013 DEVELOPING A PLAY-IN-PROGRESS (Class - First Session)
    29 Sep 2013 MUSICAL THEATRE WRITING - STORY INTO SONG (I) (Class - First Session)
    28 Sep 2013 TRADE SHOW (Reading)
    28 Sep 2013 PLAY DEVELOPMENT WORKSHOP (Class - First Session)
    28 Sep 2013 PLAYWRITING LAB (Class - First Session)
    21 Sep 2013 180 DEGREE RULE (Reading)
    15 Sep 2013 WEEKEND WORKSHOP - ADAPTION: The Art of Turning Books Into Plays (Class )
    14 Sep 2013 ITCH LOVES LOUIE (Reading)
    14 Sep 2013 WEEKEND WORKSHOP - ADAPTATION: The Art of Turning Books Into Plays (Class - First Session)
    07 Sep 2013 SCRAPBOOK (Reading)
    29 Jul 2013 BLUE JEANS BALL (Fundraiser)
    20 Jul 2013 IN SEARCH OF A LOVE SUPREME (Reading)
    20 Jul 2013 NETWORK MASTER CLASS - WEEKEND WORKSHOP (Class - First Session)
    16 Jul 2013 SAPPHIRE STAR (First Draft)
    13 Jul 2013 SOLO SHOWCASE (Reading)
    11 Jul 2013 MARKETING YOUR PLAY (Class - First Session)
    09 Jul 2013 PENUMBRA (First Draft)
    02 Jul 2013 TO THE GREAT EGRESS (First Draft)
    29 Jun 2013 10-MINUTE WORKSHOP - COMEDY (Reading)
    29 Jun 2013 ADVANCED SOLO WEEKEND - From Page to Stage (Class - First Session)
    25 Jun 2013 MYTHOLOGY PLAY (First Draft)
    22 Jun 2013 ANGRY BLACK WOMAN (Reading)
    22 Jun 2013 PLAY DEVELOPMENT WORKSHOP (Class - First Session)
    18 Jun 2013 TWIST AND SHOUT (First Draft)
    18 Jun 2013 SCREENWRITING LAB 2.0 (Class - First Session)
    18 Jun 2013 PLAYWRITING LAB (Class - First Session)
    17 Jun 2013 DEVELOPING A PLAY-IN-PROGRESS (Class - First Session)
    17 Jun 2013 THE BLUE PRINT (Class - First Session)
    15 Jun 2013 IN THE EVENT OF CAPTURE (Reading)
    15 Jun 2013 PLAYWRITING LAB (Class - First Session)
    11 Jun 2013 DESTROYING THE QUALITY INN (First Draft)
    09 Jun 2013 MUSICAL THEATRE WRITING - STORY INTO SONG (I) (Class - First Session)
    08 Jun 2013 INVISIBLE THERAPY FOR AN IMPOSSIBLE WORLD (Reading)
    04 Jun 2013 THE FORGERS (First Draft)
    01 Jun 2013 IN THE SHADOW OF HIS LANGUAGE (Reading)
    28 May 2013 SAY GOOD MORNING WITH YOUR TEETH (First Draft)
    21 May 2013 TITLE TBA (First Draft #2)
    18 May 2013 PARDON MY FRENCH (Reading)
    14 May 2013 TITLE TBA (First Draft #1)
    12 May 2013 SHORT PLAY WEEKEND
    11 May 2013 THE ROPER (Reading)
    11 May 2013 SHORT PLAY WEEKEND (Class- first session)
    04 May 2013 BOY SMALL (Reading)
    30 Apr 2013 SOLO SHOW - WRITING THE ONE-PERSON PLAY (Class - First Session)
    28 Apr 2013 DIRECTING NEW WORK - A Two Day Intensive for Playwrights & Directors (Class - First Session)
    28 Apr 2013 Act Your Age!
    27 Apr 2013 Act Your Age!
    27 Apr 2013 FLOATERS (Reading)
    21 Apr 2013 Act Your Age!
    21 Apr 2013 MASTER CLASS with LYDIA R. DIAMOND - WEEKEND WORKSHOP
    20 Apr 2013 Act Your Age!
    20 Apr 2013 AFTER THE BALL: BLUE STORIES FOR A BLUE MOON (Reading)
    20 Apr 2013 MASTER CLASS with LYDIA R. DIAMOND - WEEKEND WORKSHOP (First Session)
    19 Apr 2013 BLUE MOON BALL (Gala)
    16 Apr 2013 Tat-2 (First Draft)
    15 Apr 2013 MUSICAL THEATRE WRITING - STORY INTO SONG (I) (Class - First Session)
    14 Apr 2013 MUSICAL THEATRE WRITING - SONG LYRIC LAB (Class - First Session)
    13 Apr 2013 BY REASON OF SANITY (Reading)
    13 Apr 2013 SCREENWRITING LAB 1.0 (Class - First Session)
    13 Apr 2013 PLAYWRITING LAB (Class - First Session)
    09 Apr 2013 ENTANGLEMENT (First Draft)
    08 Apr 2013 A CABARET OF NEW MUSICAL THEATRE WORKS (Showcase)
    08 Apr 2013 DEVELOPING A PLAY-IN-PROGRESS (Class - First Session)
    06 Apr 2013 20TH ANNUAL STUDENT PLAYS (Reading)
    04 Apr 2013 LEARN TO ADAPT: The Art of Turning Books Into Plays (Class - First Session)
    03 Apr 2013 THEATRICAL VOODOO: Mastering Magic Realism (Class - First Session)
    02 Apr 2013 By Reason of Insanity
    02 Apr 2013 PLAYWRITING LAB (Class - First Session)
    30 Mar 2013 WETBACK (Reading)
    30 Mar 2013 PLAY DEVELOPMENT WORKSHOP (Class - First Session)
    26 Mar 2013 THE MIRACLE WALKER (First Draft)
    23 Mar 2013 RASHEEDA SPEAKING (Reading)
    19 Mar 2013 IDA AND THE BEAR (First Draft)
    16 Mar 2013 THE MECCA TALES (Reading)
    16 Mar 2013 WEEKEND WORKSHOP- DRAMATURGY (Class - First Session)
    12 Mar 2013 PENUMBRA (First Draft)
    09 Mar 2013 PROVENANCE (Reading)
    05 Mar 2013 GO BOOM (First Draft)
    04 Mar 2013 MUSICAL THEATRE WRITING: MUSICALS-IN-PROCESS
    02 Mar 2013 WHITE AMERICA (Reading)
    02 Mar 2013 SOLO SHOW - WRITING THE ONE-PERSON PLAY (Class - First Session)
    26 Feb 2013 SOMEWHAT DIFFICULT TO PUT INTO WORDS (First Draft)
    25 Feb 2013 MUSICAL THEATRE WRITING: MUSICALS-IN-PROCESS
    23 Feb 2013 MAY YOU LIVE IN INTERESTING TIMES (Reading)
    19 Feb 2013 A PERFECT AGE (First Draft)
    18 Feb 2013 MUSICAL THEATRE WRITING: MUSICALS-IN-PROCESS
    16 Feb 2013 RENOVATIONS (Reading)
    12 Feb 2013 LINES (First Draft)
    11 Feb 2013 MUSICAL THEATRE WRITING: MUSICALS-IN-PROCESS
    09 Feb 2013 SMART PEOPLE (Reading)
    08 Feb 2013 PLAYWRITING LAB (Class - First Session)
    06 Feb 2013 DEVELOPING A PLAY-IN-PROGRESS (Class - First Session)
    05 Feb 2013 THEATRICAL VOODOO: Mastering Magic Realism (Class - First Session)
    05 Feb 2013 PLAYWRITING LAB (Class - First Session)
    04 Feb 2013 MUSICAL THEATRE WRITING: MUSICALS-IN-PROCESS
    02 Feb 2013 DOUBLE HELIX (Reading)
    28 Jan 2013 MUSICAL THEATRE WRITING: MUSICALS-IN-PROCESS (Class - First Session)
    27 Jan 2013 MUSICAL THEATRE WRITING - STORY INTO SONG (II) (Class - First Session)
    26 Jan 2013 NORTHWESTERN UNIVERSITY 10-MINUTE WORKSHOP (Reading)
    26 Jan 2013 SCREENWRITING LAB 1.0 (Class - First Session)
    26 Jan 2013 PLAY DEVELOPMENT WORKSHOP (Class - First Session)
    21 Jan 2013 Blue Jeans Ball
    19 Jan 2013 REMEMBER ME (Reading)
    19 Jan 2013 PLAYWRITING LAB (Class - First Session)
    12 Jan 2013 11th Annual Showcase of the New Resident Playwrights (Reading)
    11 Dec 2012 BY REASON OF SANITY (First Draft)
    08 Dec 2012 DEADLINE WORKSHOP Part 2 (Reading)
    04 Dec 2012 ANNA O. (First Draft)
    01 Dec 2012 DEADLINE WORKSHOP Part 1 (Reading)
    27 Nov 2012 TAT-2 (First Draft)
    20 Nov 2012 MOVING (First Draft)
    17 Nov 2012 DAMN THE RIVER DEEP (Reading)
    13 Nov 2012 HOME (First Draft #5)
    10 Nov 2012 BOATS AGAINST THE CURRENT (Reading)
    10 Nov 2012 WEEKEND WORKSHOP - TRICKS OF THE TRADE (Class - First Session)
    03 Nov 2012 WOMEN OF CHOICE (Reading)
    30 Oct 2012 WHO JUST GONE WHO (First Draft)
    27 Oct 2012 SHOWCASE OF THE NEW SENIOR NETWORK PLAYWRIGHTS (Reading)
    25 Oct 2012 Fall Happy Hour (social event)
    23 Oct 2012 Q AND WHERE THE HELL'S THE A (a longer ditty) (First Draft)
    23 Oct 2012 SOLO SHOW - WRITING THE ONE-PERSON PLAY (Class - First Session)
    20 Oct 2012 AT HIS BEST (Reading)
    20 Oct 2012 WORDPLAY IS FOREPLAY (Class - First Session)
    16 Oct 2012 MEET ME ON THE CEILING (First Draft)
    13 Oct 2012 NETTA AT NINETY (Reading)
    09 Oct 2012 AN UNBUILT LIFE (First Draft)
    06 Oct 2012 AMERICAN HOME (Reading)
    03 Oct 2012 DEVELOPING A PLAY-IN-PROGRESS (Class - First Session)
    02 Oct 2012 PLAYWRITING LAB (Class - First Session)
    01 Oct 2012 MUSICAL THEATRE WRITING - SONG LYRIC LAB (Class - First Session)
    01 Oct 2012 THE BLUE PRINT (Class - First Session)
    30 Sep 2012 MUSICAL THEATRE WRITING - STORY INTO SONG (I) (Class - First Session)
    30 Sep 2012 SCREENWRITING LAB 2.0 (Class - First Session)
    29 Sep 2012 MERCHILD (Reading)
    29 Sep 2012 SCREENWRITING LAB 1.0 (Class - First Session)
    29 Sep 2012 PLAY DEVELOPMENT WORKSHOP (Class - First Session)
    29 Sep 2012 PLAYWRITING LAB (Class - First Session)
    24 Sep 2012 Annual Report Presentation (Showcase)
    23 Sep 2012 Annual Report Presentation (Showcase)
    22 Sep 2012 ZEPHER (Reading)
    17 Sep 2012 MUSICAL THEATRE WRITING: MUSICALS-IN-PROCESS (Class - First Session)
    15 Sep 2012 BACKSTAGE FORUM (Reading)
    10 Sep 2012 MUSICAL THEATRE WRITING: MUSICALS-IN-PROCESS (Class - First Session)
    08 Sep 2012 TOXIC DONUT (Reading)
    27 Aug 2012 MUSICAL THEATRE WRITING: MUSICALS-IN-PROCESS (Class - First Session)
    25 Aug 2012 SOLO SHOWCASE (Reading)
    18 Aug 2012 THERE'S AN OCEAN IN NEBRASKA (Reading)
    11 Aug 2012 HUNDRED ACRES (Reading)
    06 Aug 2012 MUSICAL THEATRE WRITING: MUSICALS-IN-PROCESS (Class - First Session)
    04 Aug 2012 MOSTLY SUNNY EARLY THEN CLOUDS, RAIN (Reading)
    02 Aug 2012 THE BLUE PRINT: Powerful Plays and the Structures That Hold Them
    28 Jul 2012 BEATEN (Reading)
    28 Jul 2012 SOLO SHOW (II) - From Page to Stage (Class - First Session)
    26 Jul 2012 THE BLUE PRINT: Powerful Plays and the Structures That Hold Them
    23 Jul 2012 MUSICAL THEATER WRITING: MUSICALS IN PROCESS
    21 Jul 2012 BLACULA: YOUNG, BLACK AND UNDEAD (Reading)
    19 Jul 2012 THE BLUE PRINT: Powerful Plays and the Structures That Hold Them
    17 Jul 2012 THE WELL (First Draft)
    16 Jul 2012 MUSICAL THEATER WRITING: MUSICALS IN PROCESS
    16 Jul 2012 BLUE JEANS BALL (Fundraiser)
    14 Jul 2012 SCRAPBOOK (Staged Reading)
    14 Jul 2012 WEEKEND MASTER CLASS (Class - First Session)
    12 Jul 2012 THE BLUE PRINT: Powerful Plays and the Structures That Hold Them
    10 Jul 2012 10,000 YEARS FROM THE YEAR 2000 (First Draft)
    09 Jul 2012 MUSICAL THEATER WRITING: MUSICALS IN PROCESS
    07 Jul 2012 CYCLIST ATTACKED BY MOUNTAIN LION (Reading)
    02 Jul 2012 MUSICAL THEATER WRITING: MUSICALS IN PROCESS
    30 Jun 2012 YASMINA'S NECKLACE (Reading)
    28 Jun 2012 THE BLUE PRINT: Powerful Plays and the Structures That Hold Them
    26 Jun 2012 3-WAY MIRROR (First Draft)
    25 Jun 2012 MUSICAL THEATER WRITING: MUSICALS IN PROCESS
    23 Jun 2012 10-MINUTE WORKSHOP - COMEDY (Reading)
    23 Jun 2012 WEEKEND WORKSHOP - THINKING LIKE A WRITER (Class - First Session)
    21 Jun 2012 THE BLUE PRINT: Powerful Plays and the Structures that Hold Them (Class - First Session)
    19 Jun 2012 THE LIFE SHE WANTS TO LIVE (First Draft)
    18 Jun 2012 MUSICAL THEATRE WRITING: MUSICALS-IN-PROCESS (Class - First Session)
    16 Jun 2012 DEADLINE WORKSHOP - Part II (Reading)
    14 Jun 2012 BLUE MOON BALL (Gala)
    13 Jun 2012 DEVELOPING A PLAY-IN-PROGRESS (Class - First Session)
    12 Jun 2012 BLASPHEMY (First Draft)
    12 Jun 2012 PLAYWRITING LAB (Class - First Session)
    09 Jun 2012 DEADLINE WORKSHOP - Part I (Reading)
    09 Jun 2012 SOLO SHOW (I) - Writing the One-person Play (Class - First Session)
    09 Jun 2012 SCREENWRITING LAB - PART I (Class - First Session)
    09 Jun 2012 DEVELOPING A PLAY-IN-PROGRESS (Class - First Session)
    05 Jun 2012 ANGEL (First Draft)
    02 Jun 2012 ALL KINDS OF CRAZY (Reading)
    02 Jun 2012 PLAYWRITING LAB (Class - First Session)
    30 May 2012 MUSICAL THEATRE WRITING - STORY INTO SONG (II) (Class - First Session)
    29 May 2012 AESOP'S FABLE (First Draft)
    22 May 2012 VARIOUS DITTIES (First Draft)
    19 May 2012 CODE NAME: CYNTHIA (Reading)
    15 May 2012 YONNIE THE AMISH FARMER (First Draft)
    12 May 2012 PRODIGAL BROTHERS (Reading)
    08 May 2012 FIRST DRAFT READING #1 (First Draft)
    06 May 2012 SELF-PRODUCING FOR PLAYWRIGHTS (Class - First Session)
    05 May 2012 EMILY VS. THE EMERALD ASH BEETLE BORER (Reading)
    29 Apr 2012 WORDPLAY IS FOREPLAY (Class - First Session)
    28 Apr 2012 YOUR TEACHER IS OUT TODAY (Reading)
    25 Apr 2012 INSTANT THEATRE (Showcase)
    23 Apr 2012 MUSICAL CABARET (Showcase)
    21 Apr 2012 LAMP AND MOTH (Reading)
    14 Apr 2012 SEVEN SPOTS ON THE SUN (Reading)
    13 Apr 2012 PLAYWRITING LAB (Class - First Session)
    10 Apr 2012 PLAYWRITING LAB (Class - First Session)
    07 Apr 2012 THE BEAUTIFUL DARK (Reading)
    05 Apr 2012 DEVELOPING A PLAY-IN-PROGRESS (Class - First Session)
    04 Apr 2012 MUSICAL THEATRE WRITING - SONG LYRIC LAB (Class - First Session)
    04 Apr 2012 BUILDING CHARACTER (Class - First Session)
    03 Apr 2012 TWISTED? (First Draft)
    03 Apr 2012 SOLO SHOW - WRITING THE ONE-PERSON PLAY (Class - First Session)
    01 Apr 2012 MUSICAL THEATRE WRITING - STORY INTO SONG (II) (Class - First Session)
    31 Mar 2012 THE THEATRE SCHOOL OF DePAUL UNIVERSITY (Reading)
    31 Mar 2012 SCREENWRITING LAB - PART I (Class - First Session)
    31 Mar 2012 PLAY DEVELOPMENT WORKSHOP (Class - First Session)
    31 Mar 2012 PLAYWRITING LAB (Class - First Session)
    27 Mar 2012 3-WAY MIRROR (First Draft)
    24 Mar 2012 THE ART OF DISAPPEARING (Reading)
    20 Mar 2012 DELILAH SHOW (First Draft)
    17 Mar 2012 AUTONOMY (Reading)
    13 Mar 2012 PARTY TIME (First Draft)
    10 Mar 2012 REHEARSING "THE CHERRY ORCHARD" (Reading)
    06 Mar 2012 SIX DITTIES (First Draft)
    03 Mar 2012 THE 10TH ANNUAL SHOWCASE OF THE NEW RESIDENT PLAYWRIGHTS (Reading)
    28 Feb 2012 AN AFTERNOON WITH MY MOTHER (First Draft)
    26 Feb 2012 HOW TO MARKET YOUR PLAY (Class - First Session)
    25 Feb 2012 ANONYMOUS DONOR (Reading)
    21 Feb 2012 THE CODEX (First Draft)
    18 Feb 2012 NORTHWESTERN UNIVERSITY 10-MINUTE WORKSHOP (Reading)
    14 Feb 2012 DON'T CALL ME SHIRLEY (First Draft)
    11 Feb 2012 THE TRANSITIONAL MAN (Reading)
    11 Feb 2012 SOLO SHOW - WRITING THE ONE-PERSON PLAY (Class - First Session)
    07 Feb 2012 UNTO DUST (First Draft)
    04 Feb 2012 SOUTHBRIDGE (Reading)
    31 Jan 2012 WHAT I LEARNED AT THE MOVIES (First Draft)
    29 Jan 2012 ACTING 101 - FOR PLAYWRIGHTS ONLY (Class - First Session)
    28 Jan 2012 TRUTH BE TOLD (Reading)
    27 Jan 2012 PLAYWRITING LAB (Class - First Session)
    24 Jan 2012 PLAYWRITING LAB (Class - First Session)
    23 Jan 2012 MUSICAL THEATRE WRITING - MUSICALS IN PROGRESS (Class - First Session)
    22 Jan 2012 MUSICAL THEATRE WRITING - STORY INTO SONG (I) (Class - First Session)
    21 Jan 2012 VEE-JAY RECORDS (Reading)
    21 Jan 2012 PLAY DEVELOPMENT WORKSHOP (Class - First Session)
    21 Jan 2012 PLAYWRITING LAB (Class - First Session)
    15 Jan 2012 SECOND SUNDAYS OPEN MIC NIGHT (Showcase)
    14 Jan 2012 PLAZA HOTEL BALLROOM (Reading)
    13 Dec 2011 ANAMASSA NILES SAVES (First Draft Series)
    11 Dec 2011 SECOND SUNDAYS OPEN MIC NIGHT (Showcase)
    10 Dec 2011 DEADLINE WORKSHOP - Part II (Reading)
    06 Dec 2011 SIX SHORT SCENES (First Draft Series)
    03 Dec 2011 DEADLINE WORKSHOP - Part I (Reading)
    29 Nov 2011 THE KEOKUK REVERSE (First Draft Series)
    22 Nov 2011 THE PURPLE HEART (First Draft Series)
    15 Nov 2011 CHARACTER COUNTS (First Draft Series)
    14 Nov 2011 MUSICAL CABARET (Showcase)
    09 Nov 2011 PLAYWRITING LAB SHOWCASE (Showcase)
    08 Nov 2011 RAINE SHELBY GETS CORRECTED (First Draft Series)
    05 Nov 2011 10-MINUTE WORKSHOP (Reading)
    05 Nov 2011 WEEKEND WORKSHOP - TRICKS OF THE TRADE (Class - First Session)
    01 Nov 2011 SKIN FOR SKIN (First Draft Series)
    29 Oct 2011 BACKSTAGE FORUM (Forum)
    25 Oct 2011 THE NIGHT JESUS JOINED THE REVOLUTION (First Draft Series)
    18 Oct 2011 LOSING IT ALL (First Draft Series)
    18 Oct 2011 SOLO SHOW - WRITING THE ONE-PERSON PLAY (Class - First Session)
    11 Oct 2011 SWIMMING WITH SHARKS IN THE SOUTH CHINA SEA (First Draft Series)
    06 Oct 2011 BUILDING CHARACTER (Class - First Session)
    05 Oct 2011 MUSICAL THEATRE WRITING - SONG LYRIC LAB (Class - First Session)
    05 Oct 2011 WRITING WITH ARCHETYPES (Class - First Session)
    04 Oct 2011 PLAYWRITING LAB (Class - First Session)
    02 Oct 2011 ACTING 101 - FOR PLAYWRIGHTS ONLY (Class - First Session)
    02 Oct 2011 MUSICAL THEATRE WRITING - STORY INTO SONG (II) (Class - First Session)
    01 Oct 2011 PLAY DEVELOPMENT WORKSHOP (Class - First Session)
    01 Oct 2011 PLAYWRITING LAB (Class - First Session)
    17 Sep 2011 WEEKEND DIALOGUE WORKSHOP (Class - First Session)
    11 Sep 2011 SECOND SUNDAYS OPEN MIC NIGHT (Showcase)
    20 Aug 2011 IT HAPPENED ONE WEEKEND (Class - First Session)
    23 Jul 2011 THE DAYS ARE SHORTER (Staged Reading)
    16 Jul 2011 UNLEASHED (Staged Reading)
    16 Jul 2011 SCREENWRITING LAB - The American Screenplay (Class - First Session)
    09 Jul 2011 SCRAPBOOK (Staged Reading)
    09 Jul 2011 WEEKEND MASTER CLASS (Class - First Session)
    29 Jun 2011 DEVELOPING A PLAY-IN-PROGRESS (Class - First Session)
    25 Jun 2011 DEADLINE WORKSHOP - Part 2 (Staged Reading)
    18 Jun 2011 DEADLINE WORKSHOP - Part 1 (Staged Reading)
    16 Jun 2011 BLUE MOON BALL (Fundraiser)
    14 Jun 2011 MUSICAL THEATRE WRITING - STORY INTO SONG (I) (Class - First Session)
    13 Jun 2011